It's all about fear

Charles Moore gets it:

On the Today programme yesterday, Stewart Lee, author of Jerry Springer: The Opera - in which Jesus appears wearing nappies - let the cat out of the bag. He suggested that it was fine to offend Christians because they had themselves degraded their iconography; Islam, however, has always been more "conscientious about protecting the brand".

The implication of the remark is fascinating. It is that the only people whose feelings artists, newspapers and so on should consider are those who protest violently. The fact that Christians nowadays do not threaten to blow up art galleries, invade television studios or kill writers and producers does not mean that their tolerance is rewarded by politeness. It means that they are insulted the more.

Right now, at the fashionable White Cube Gallery in Hoxton, you can see the latest work of Gilbert and George, mainly devoted, it is reported, to attacks on the Catholic Church. The show is called Sonofagod Pictures and it features the head of Christ on the Cross replaced with that of a primitive deity. One picture includes the slogan "God loves F***ing".

Like most Christians, I find this offensive, but I think I must live with the offence in the interests of freedom. If I find, however, that people who threaten violence do have the power to suppress what they dislike, why should I bother to defend freedom any more? Why shouldn't I ring up the Hon Jay Jopling, the proprietor, and tell him that I shall burn down the White Cube Gallery unless he tears Gilbert and George off the walls? I won't, I promise, but how much longer before some Christians do? The Islamist example shows that it works.

Moore, noting that Muslim painters have portrayed their prophet for centuries, also questions whether there really is a consensus among all Muslims as to whether drawings of Mohammed are strictly forbidden. Good question. I can't help seeing the cold, dreary hand of Saudi-backed Wahabbism here.

Another writer who gets it, of course, is Mark Steyn:

...The cartoons aren't particularly good and they were intended to be provocative. But they had a serious point. Before coming to that, we should note that in the Western world "artists" "provoke" with the same numbing regularity as young Muslim men light up other countries' flags. When Tony-winning author Terence McNally writes a Broadway play in which Jesus has gay sex with Judas, the New York Times and Co. rush to garland him with praise for how "brave" and "challenging" he is. The rule for "brave" "transgressive" "artists" is a simple one: If you're going to be provocative, it's best to do it with people who can't be provoked.

Thus, NBC is celebrating Easter this year with a special edition of the gay sitcom "Will & Grace," in which a Christian conservative cooking-show host, played by the popular singing slattern Britney Spears, offers seasonal recipes -- "Cruci-fixin's." [NBC has withdrawn the episode - Ed.] On the other hand, the same network, in its coverage of the global riots over the Danish cartoons, has declined to show any of the offending artwork out of "respect" for the Muslim faith.

Which means out of respect for their ability to locate the executive vice president's home in the suburbs and firebomb his garage.

Posted by damian at February 5, 2006 09:39 AM | TrackBack